.. Visual Art @ Scarlet Letters: Heather Corinna
Carvings of the Síle na Géige, or Sheela na Gig, date back to the eleventh century, often found in the south of France, England, Wales and Ireland.

Síle may be a Christian invention, as she is often found on chapel entrances, or a pagan archetype, as she can be found as well on standing stones. Whichever the case, she appears as an earthy hag or demonesque creature, her eyes touched with delirium, limbs akimbo, holding wide open her vulva, which is often disproportionately large. She may be a benign and empowering symbol of fertility, or a creative or sexual gateway; she may be a representation of a fear of female lust and sexual power, specifically that which is not procreative, and Sile is depicted well past middle-life. She is akin to a Trickster symbol, such as Coyote, Kokopeli, Hermes, Loki, or Raven in other traditions.

Over time, Síle na Géige developed as a euphemism for a sluttish or immodest woman, and Síle may be derivative of the gaelic Sidh or Sidhe, one of the fae, or it may mean seed or origin. In other words, the Síle na Géige may be like the Christian Eve, symbolic as the first woman or our eldest ancestor. Even her gender is mutable, as her appearance is sometimes ambiguous, at times almost intergendered. With a symbol as old as this one, for the most part, we're left to rely on our own interpretations, with whatever meaning strikes us most viscerally.

For me, Síle na Géige is representative of female sexual power separate from the power of procreation and childbirth. She is not a comfortable archetype, and one which one certainly couldn't wear on their sleeve in daily life. Her beauty is not physical, but lies in her power and in the fact that she allows it to be unbridled, and is unashamed of it, laughing at those it might make shy or uncomfortable. Her sexuality is not from her body, but only dwells there, so ancient and rooted that it emanates outward to the point of menace regardless of her physical state of beauty or lack thereof. In shooting this set, I was able to forget about beauty and its lesser cousins, prettiness and delicacy, and get filthy and raw, let myself and my body go: yell, roar and open wide.

... and revel in what is Síle na Géige. A good page with some photos of diverse carvings can be found at: http://www.members.tripod.com/~taramc/sheelas.html

This series was shot in two parts with an Olympus digital camera: (using a hell of a lot of clay) first with self-portraits in the studio, and then given overlay and transparencies of natural elements shot in Minneapolis.
artist bioback to thumbnailssee the full set


12.07.06: Scarlet Letters -- in case it isn't glaringly obvious -- is currently on an extended hiatus. The web has changed, we've changed, and we're trying to figure out how we both fit together now, which isn't a process we want to rush.

In the meantime, by all means, enjoy our years of past content, all of which still remain in the public and subscription areas.

If you're looking for more current SL-related content, you can have check out upcoming books from editor Heather Corinna and previous co-editor Hanne Blank, check out Heather's current sexuality sites, or explore sites through the femmerotic network. We hope to be back with you soon, as fresh, challenging and unexpected as ever.

 
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