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A long, long time ago -- I can still remember how feminism used
to make me smile.
I grew up needing feminism, even though I did not yet have the
terminology. My trig teacher never answered questions from girls.
I knew two church families with six girls apiece. Each family
stopped reproducing with the arrival of a son. Calling a boy a
"girl" was the worst insult imaginable. As an imminent girl, this
concerned me greatly.
I left for college believing myself a transsexual -- although,
again, I lacked the terminology. Then I took my first course in
feminist theory with Heather, my closest friend. She helped me
turn into a girl. Together we became lesbian-feminists, and began
building this massive archive of historical feminist literature.
I realized that since I was fortunate enough to choose to become
a woman, I should choose to become a feminist woman. A woman that
would make my feminist forebears proud. I'd be strong. I'd be
invincible.
As I studied herstory, I found many of the prominent feminists
expressing strong, negative opinions about all this transsexual
business. Janice Raymond, one of the most bitter opponents, accused
transwomen of being both pitiful dupes of a fascist medical conspiracy
and spies for the patriarchy. There were others: Mary Daly, Robin
Morgan, Andrea Dworkin -- so many that you'd think one of them
would have thought to launch a counterintelligence assault, conscripting
us Frankenwomen into Mata Hari-dom against the patriarchal regime.
No such luck. Lo these many years, a lot of feminists still seem
to prefer dis-missing trannygirls as colonized colonials, and
trannyboys as heretical sellouts.
As a result, every time I meet feminist O.G.s, like Mary Daly
or Andrea Dworkin, it's a disappointment. The day I met Dworkin,
she was introduced as believing that "gender is a lie." I asked
her to elaborate, but she dodged the question nervously. Daly
wouldn't even speak to me. Then came Alison Jaggar.
Jaggar is the editor of Feminist Frameworks, a feminist primer I first read in 1988. She is, in part, responsible
for making a feminist out of me. She was the keynote speaker at
the Radical Philosophy Association conference last month. I was
there to present a paper which considers gender in the light of
law, language and pornography.
In this paper, I trace an argument that starts with Sade and Masoch
(the S and M of S&M), and stops to pick up Barthes, Irigaray,
de Beauvoir and Wittig along the way. It's a theoretically-involved
discussion that questions why we seem to need gender so badly,
anyway. It reconsiders definitions for words like "gender," "masculinity,"
and "femininity." It challenges us to define gender without using
simile. This paper is a practical application of transfeminism.
I think it's a smart paper, if only because I've had to read a
lot of books.
So in came Alison Jaggar, and I got really excited. I wished she'd come, and there she was. I stumbled nervously
through the exposition of my paper. But it seemed that Jaggar
-- one of four audience members -- was not reacting well. When
I finished speaking, she abruptly left. Twenty minutes vanished,
and she returned to ask me whether my agenda was to destroy the
gender binary, or expand it. Then she posed the Famous Feminist
Transphobia Chestnut Question (the FFTCQ): wasn't my own gender
presentation simply a reification of existent gender stereotypes?
Jaggar pretended to listen to my answer, and when she had enough,
picked up again and left the room, never to return. So much for
her signing my book.
First of all, you don't have to be Hegel to figure out that destroying
and expanding the gender binary are pretty much the same project.
Second, the FFTCQ is a dirty trick question, and it always has
been. The answer is always both yes and no, and the answer is
always irrelevant when the inquisitor already has an opinion.
Jaggar did not come to discuss the ideas which gave birth to my
paper. She came to condemn my appearance. Ironically, the move
was neither radical nor philosophical.
I guess I'm just going to have to quit meeting my feminist heroines.
Their words are so much more interesting on the page. I'm reminded
of a passage in Erica Jong's Fear of Flying, in which she is lamenting the life actions of the boldest women
in history: "Timid in their actions, and bold only in their art,"
she says of Simone de Beauvoir, Lillian Hellman, Emily Dickinson.
Jong was writing in the early 1970's. It was the bra-burniest
of times. Thirty years later, I'm being told by an esteemed feminist
that I look too much like a girl to be taken seriously.
Maybe I was asking for it. My outfit was professional, and also
a little slinky. I harbored hopes of a dashing gender outlaw wanting
to discuss theory over a pitcher of Manhattans, and I certainly
didn't want zir to fall for me just because of my mind. But haven't
feminists long fought for womenís right to dress however we want?
And isn't dressing like a middle-aged dyke professor -- as Jaggar
was -- its own stereotype?
I'm planning a paper for the next conference in which I critique
my entire wardrobe via Kant. Until then, I'm left to ponder why
"femininity," whatever that is, is so important to me and so many other femmes, dykes and
otherwise.
Sarah Michelle Gellar, who portrays a more-or-less feminist heroine
in <Buffy the Vampire Slayer was once quoted as saying she prefers "girl power" to "feminism"
because the former term allows room for "femininity." She went
on to say "There's no femininity in feminism, which is really
weird because it's technically the same word."
Feminism has long lamented its lack of youth involvement, and
I think Gellar gets at the heart of the matter: "femininity" does
not equal disempowerment, and to link the two undercuts the thinking
of a lot of women and girls. It also plays right into the methods
of the dreaded patriarchy, which definitely links femininity with
weakness.
Perhaps Jaggar was reducing me to a curvy mimic in pigtails, aping
the non-natural fashion of natural women. The rest of the world
-- friends, lovers, employers, customers, the creeps who cat-call
me from their cars, and, most importantly, me -- sees me as female.
I get girl jobs at girl pay, where my girl opinions are ignored
and my girl appearance is my chief asset. Feminism still has a
lot of work to do.
So do transwomen. Transwomen ought to be required to pass extensive
coursework in the history of institutionalized sexism before their
first mouthful of estrogen pills. This is a topic for future exploration.
I don't think that Jaggar, Raymond, Dworkin and the rest are beyond
hope. I do believe that if feminism is going to function progressively,
though, it needs to break free of its own essential gender binaries.
I believe that Dworkin wants to believe that gender is a lie,
that Jaggar wants women to dress whatever ways we want. I see
contradictions in their behavior which make feminism something
even biological women want to distance themselves from; contradictions
which alienate, shame and dismiss women in the name of liberation.
We can do much better than this.
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12.07.06: Scarlet Letters -- in case it isn't glaringly obvious -- is currently
on an extended hiatus. The web has changed, we've changed, and
we're trying to figure out how we both fit together now, which isn't a process we want to rush.
In the meantime, by all means, enjoy our years of past content,
all of which still remain in the public and subscription areas.
If you're looking for more current SL-related content, you can
have check out upcoming books from editor Heather Corinna and previous co-editor Hanne Blank, check out Heather's current sexuality sites, or explore sites through the femmerotic network. We hope to be back with you soon, as fresh, challenging and
unexpected as ever.
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