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He drove and drove, and finally pulled into a gravel parking lot
next to this square cinderblock building at I don't even know
where, because I was fuming so much I wasn't paying attention
to where we were going. It was dark, save for a single light fixture
mounted on the side of the building. There were no other cars
parked anywhere in sight.
"Where the hell are we?" I spat impudently.
"Shut up," he said and dragged me out of the car. He hustled me
into the building and down some steps, into an empty white room
with a naked lightbulb dangling over a bare table and two chairs.
"Hey, punk, I get my phone call, remember? You're gonna be . .
." but he walked out of the room. He returned a minute later with
a styrofoam cup of coffee.
"You hear me?" I sneered. "I get a phone call. Or didn't you learn
how to read that part of the manual yet?"
"Yeah, you'll get it, you'll get it, all right," he laughed as
he walked out and locked the door.
"Get back here! Get back here, you fucking ape!" I shouted, and
banged at the door. "I'll have you sweeping fucking floors like
you were meant to do." I was so, so mad at him. I wanted to hit
him and kick him and scratch him and pull his hair.
The coffee tasted like shit, but I drank it anyway, it was so
cold in there.
As I was swearing under my breath all alone in that room, thinking
how I was going to fuck this guy up, I thought I heard a running
shower in the room next door, and someone humming "This Buttercup's
for Me," a song from one of my movies. I was listening, startled,
and getting very sleepy. I tried to raise my head from the table,
but I couldn't. The bum had slipped me a mickey . . .
I came to in a most compromising position. I found myself with
my hands chained individually to the ceiling, buck naked except
for one of my trademark blue fedoras and tap shoes with white
spats. Officer 57 stood directly before me, slipping on a pair
of black leather patrolman's gloves. He pulled them taut over
his fingers. I remember so vividly how the polished brass buttons
of his uniform caught the light.
"What . . . the . . ." I mumbled, still groggy.
"Mr. ________, you are charged with driving 60 miles-per-hour
in a 40 mile-per-hour zone," he blurted officiously. "How do you
plead?"
"Fuck . . . you," I said. He punched me square in the breadbasket.
God, did that hurt. A warm fluid that tasted like death dripped
from my mouth, but I decided to bite the bullet. I made a blood-pact
with myself for revenge; hopefully, I would live to spit on this
goon's grave.
I looked down to see I was only drooling.
"Mr. _______, you are charged with driving 60 miles-per-hour in
a 40 mile-per-hour zone," he repeated, "while intoxicated. How
do you plead?"
I tried to tell him to fuck himself again, like I did in my 1951
movie "No Place for Angels," but nothing came out. He slammed
me again in the gut. I swore I'd never felt pain in my life until
then. Believe it or not, I'd never been punched before, and I
didn't like it one bit.
"Mr. _______, you are charged with . . ."
"Guilty, guilty. All right?"
"You are further charged with consortation and collaboration with
elements of organized crime alleged to perpetrate illegal gambling,
prostitution and other heinous felonies against the good and great
State and Peoples of California. How do you plead?" He didn't
wait for an answer, and plugged me again.
"Guilty," I stammered.
"You are further charged with the inordinate and excessive making
of money; with the extravagant consumption of goods beyond what
is necessary to sustain a reasonable and comfortable life; with
adultery and with contributing to the degradation of the general
female population; with the idealized portrayals through the media
of recorded sound and motion pictures of the lives and exploits
of gangsters, military officers and playboys having lifestyles
as alien to yours as that of any person who has ever worked a
day in his or her life; with exploiting for personal profit the
hopes, fears and insecurities of the working masses who toil through
dreary existences of boredom and unrealized expectations; with
engaging in snobbery and loutishness and other forms of behavior
considered outside the bounds of civilized conduct; with pursuing
and perpetuating the continuance of your career beyond its planned
obsolescence; with continuing to charge currency for your performances;
with contributing to charities in a self-righteous manner amounts
equal to your monthly drycleaning bills; and, Mr. ___________,
with the foisting upon the marketplace, under duress, the misbegotten
by-products of your degenerate offspring. Sir, how do you plead?"
"Uh, guilty," I guessed.
"As you have pleaded guilty to the aforestated charges against
the people, you are compelled to serve penance to an authorized
officer of the law." Whatever, I thought.
He slugged me again in the gut. The pussy, I thought when I regathered
my senses, when I get outta these things I'm going make this guy
swallow some knuckle.
"Stop crying," he admonished as he unlocked the clasps around
my wrists and I collapsed to the floor. "Take your sentencing
like a man, you rich wart! How old are you?"
He whipped me about the ears with his gloves when I did not answer.
"Seventy-five," I whimpered.
"Liar! You're seventy-nine, aren't you? Aren't you, you pig?"
"Yes," I admitted, dumbfounded. I'd never told anyone my birthdate,
not even my wives.
"Well then," he said as he sat on the chair and heaved me across
his lap, "your sentence will be seventy-nine spankings." He chuckled.
I was in no condition to resist, especially after he stood his
sleek, black nightstick in an open jar of Vaseline on the floor
before me. I was sure I was as good as dead.
"Sing that pretty song, 'L.A. Is My Baby,'" he cooed softly, referring
to this trashy song I sang on a recent album: we figured it would
be good PR with a video. "Do, it. Please." His sudden change of
tone surprised me.
So I sang the tune as best I could under the circumstances, and
he whacked my bare behind tenderly in time. He even had rhythm,
and played occasional fills.
"L.A." slap "is my" slap "ba-" slap "by." slap
"She takes" slap "such good" slap "care" slap "of me." slap
"L.A." slap "is my" slap "ba-" slap "by." slap
"She knows" slap "what to do" slap "for me." slap slap
I was surprised, this being what I thought a violent galoot. The
fresh smell of the fabric softener in his pants wafted to my nose.
I was surprised that we had made this connection. It actually
felt good.
By the song's end, however, Officer 57 was again dismayed, announcing
that the song had only accounted for sixty-nine spankings. He
insisted irritably that I had not performed the complete tune,
and that he would spank me hard with his wide, fleshy hand for
the remaining ten strokes. He meant business, too.
Like a drill sergeant, he barked "Bad?" before each hard slap,
to which I was to reply, in the loud monotone of a fearful, subservient
buck private, "Bad!"
"Bad?"
"Bad!"
"Bad?"
"Bad!"
"Bad?"
"Bad!"
"Bad?"
"Bad!" to a crescendo of supreme Bacchanalian exhaustion and release
. . .
"BAD?"
"BAD!"
On ending, he bolted up abruptly, as I rolled helplessly to the
floor, rubbing my smarting buttcheeks with both hands. He handed
me a martini, which I joyfully gulped down.
Officer 57 bent over a black bag lying on the floor beside him,
and produced various effects which I could not quite make out
in the dim light. It was not over yet. He turned a blaring, high-powered
flashlight on my eyes.
"Now," he said beyond the intense light, "you think you can sing
and dance, huh? Well, why don't you just get up there on that
table and do it?"
"I can't do that!" I protested. "I haven't danced in years!"
"I'll bet you can," he insisted slyly, squishing the long nightstick
around in the jar of Vaseline with the toe of his boot. He then
pushed before my squinted eyes several trails of a white, powdery
substance neatly arranged in rows on a mirror. Beside these lay
a hollow Bic pen, cut off at both ends. In the periphery, I caught
the cool glint of a graphite gunbarrel.
"Well?" he snickered.
I inhaled the powder through my nose, line after line, and climbed
unto the table. I was so scared I could've pissed, but I didn't
want to displease Officer 57. No, no.
"You sing `The Night Is for Lovers,'" he ordered, referring to
a song-and-dance number from my 1970 movie "Last Evening in Da-Nang."
I was nominated for an Oscar for that one. |